
It’s that quiet post Christmas period that I always enjoy for the sheer relaxing boredom of it all. We’re staying at the in-laws in Yorkshire and Gill has gone with her sister to the sales in Leeds. I have retreated to the jigsaw while Alan, my father-in-law, is murdering Nessun Dorma on the organ.
I had my ear bent earlier for trying to shoot a squirrel in the copse over the road. It’s one that Alan has been after for a while as it climbs on to his bird feeder. I’d seen it in the top of a shrub so he dashed off for the air gun and loaded a pellet. I crept on to the patio, armed and ready but Gill turned up at the wrong moment and raised the alarm.
It was like being caught behind the bike sheds with a Woodbine. “Come in at once, you can’t do that,” she said. Naturally I ignored her but the commotion had alerted the squirrel and it dived for cover before I could get it in the sights.
She’s gone now. They asked me if I wanted to join them but I think I’d rather be hung from the ceiling on a meat hook than rummage among the cut price cashmere jumpers in Harvey Nich's. A few years ago everyone wore lambswool because cashmere was for rich people. Now the middle classes too can enjoy that slightly softer feel to the skin if they’re willing to go elbow-to-elbow in a shopping scrum at sale time.
The jigsaw is Renoir’s Ball at the Moulin de la Galette. Gill has already done the best bit - the young girl’s blue and white striped dress - while I’m struggling with some amorphous brown shading under a table in the bottom right hand corner. He must have left that bit until last, using up what he had of the black, mixed in with the rest of the colours, never thinking for one moment, I’ll bet, of the poor sod who would try to put it all together more than a century on after a less than satisfactory cardboard facsimile of his masterpiece had been chopped in to a thousand pieces.
Alan, meanwhile, has clunked his way through Elgar’s Nimrod and now he’s on safer ground with Moon River and I’m still attempting to place my first piece of the day. We’ve done the outline. Gill likes to get stuck in to the meat of the picture but I’m never happy until the jigsaw is framed with all the straight pieces in place. This we have already achieved but I’ve just found another straight-edged piece. How can this be? I see that the lower edge of the frame is slightly shorter than it should be and find the mistake. All is well again.
We’re in to a fairly recognisable rendition of On the Sunny Side of The Street. I’ve noticed that Alan sniffs deeply on certain keys as he plays. I assume it’s an aid to concentration. A hen pheasant has worked its way around to his patio and it's pecking at the grain. The bird is safe.
“I’ve shot enough of them in my lifetime and now I’m making amends,” says Alan. “I’ve moved on to another phase.” He’s going to need quite a few tons of feed if he’s to wipe the slate clean before his time comes.
I’m pleased with the chair I’ve created in the bottom half of the picture but I’m stuck now – too many blue pieces. You don’t notice all the blue in this painting when you see it as a whole. Maybe Renoir had a job lot of aquamarine.
Time for a break; Father Christmas brought Gill an iPad which I’m trying my damnedest not to covet. But since she’s out I find it and scan down the news headlines on the Telegraph web site. One story says that a few miles down the road in Kirkheaton, the police had surrounded a house in the early hours. A police marksman had shot dead a man with a gun. I suppose it only takes a call from a neighbour. I wonder if he too had squirrels on his bird feeder.


